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SECTION I: GENERAL INFORMATION ABOUT THE COURSE

Course Code Course Name Year Semester Theoretical Practical Credit ECTS
60213GETOS-SNT2283 Art and Communication 2 Fall 2 0 2 3
Course Type : General Education Elective
Cycle: Bachelor      TQF-HE:6. Master`s Degree      QF-EHEA:First Cycle      EQF-LLL:6. Master`s Degree
Language of Instruction: Turkish
Prerequisities and Co-requisities: N/A
Mode of Delivery: E-Learning
Name of Coordinator: Dr. Öğr. Üyesi ANIL SAYAN
Dersin Öğretim Eleman(lar)ı:
Dersin Kategorisi: Competency Development (General Education)

SECTION II: INTRODUCTION TO THE COURSE

Course Objectives & Content

Course Objectives: This course focuses on the communicative role of music as an art form in social life. In order to acquire such an approach, the course aims to focus on the social function of music, its economic value and its relationship with culture. With this course, students will have an analytical perspective on the social function of music.
Course Content: In the course, music will be discussed in a wide spectrum from its economic value to its social function, from its digitalisation to its relationship with cultures.

Course Specific Rules

There is a "zero tolerance policy" for cheating and plagiarism. No cheating during exams will be tolerated.

Course Learning Outcomes (CLOs)

Course Learning Outcomes (CLOs) are those describing the knowledge, skills and competencies that students are expected to achieve upon successful completion of the course. In this context, Course Learning Outcomes defined for this course unit are as follows:
Knowledge (Described as Theoritical and/or Factual Knowledge.)
  1)
    2.1) Comprehend the theoretical and conceptual approaches.
  2) Comprehend the importance of the field at local, national and international levels.
  3) Comprehend the importance of public relations and advertisement activities in the field.
Skills (Describe as Cognitive and/or Practical Skills.)
  1) Generate strategic communication plans for art and cultural activities
  2) Prepare practical sponsorship proposals.
  3) Produce digital communication content
  4) Formulate audience development strategies for the art and culture activities
Competences (Described as "Ability of the learner to apply knowledge and skills autonomously with responsibility", "Learning to learn"," Communication and social" and "Field specific" competences.)
  1) Comprehend the issues of field
  2) Evaluate the outcomes of the public relations and advertisement activities in the field.

Weekly Course Schedule

Week Subject
Materials Sharing *
Related Preparation Further Study
1) Introduction
2) On popular music
3) The Social Functions of Popular Music
4) The Music Industry and the Record Labels
5) Film Gösterimi
6) The music industry and digital distribution channels
7) The platformization of the music industry
8) Midterm
9) Popular Music as promotion culture
10) The economy of live music
11) Popular Music as optimization culture
12) Cultural Intermediaries in the Digital Age
13) Cultural Entrepreneurship
14) Evaluation
15) Final Exams
16) Final Exams
*These fields provides students with course materials for their pre- and further study before and after the course delivered.

Recommended or Required Reading & Other Learning Resources/Tools

Course Notes / Textbooks:
References: Simon Frith, Taking Popular Music Seriously, Music and Everyday Life. Routledge
Shuker, Roy. " 'Every 1's a Winner': The Music Industry and the record companies" Understanding Popular Music. Routledge
Wikström, Patrik. "The Music Industry in an Age of Digital Distribution." Madrid: BBVA, 2013.
Holt, F. (2010). The economy of live music in the digital age. European Journal of Cultural Studies, 13(2), 243-261.
Morris, J. W. (2020). Music Platforms and the Optimization of Culture. Social Media + Society, 6(3).
Klein, Bethany, Leslie M. Meier, and Devon Powers. "Selling out: Musicians, autonomy, and compromise in the digital age." Popular Music and Society 40.2 (2017): 222-238.
Hracs, Brian J. "Cultural intermediaries in the digital age: The case of independent musicians and managers in Toronto." Regional Studies 49.3 (2015): 461-475.
•Gehman, Joel, and Jean-François Soublière. "Cultural entrepreneurship: from making culture to cultural making." Innovation 19.1 (2017): 61-73
•Scott, Michael. "Cultural entrepreneurs, cultural entrepreneurship: Music producers mobilising and converting Bourdieu's alternative capitals." Poetics 40.3 (2012): 237-255.
•Moore, Andrea. "Neoliberalism and the musical entrepreneur." Journal of the Society for American Music 10.1 (2016): 33-53.
•Haynes, Jo, and Lee Marshall. "Reluctant entrepreneurs: musicians and entrepreneurship in the ‘new’music industry." The British Journal of Sociology 69.2 (2018): 459-482.
•Klamer, Arjo. "Cultural entrepreneurship." The review of Austrian economics 24 (2011): 141-156.

SECTION III: RELATIONSHIP BETWEEN COURSE UNIT AND COURSE LEARNING OUTCOMES (CLOs)

(The matrix below shows how the course learning outcomes (CLOs) associates with programme learning outcomes (both KPLOs & SPLOs) and, if exist, the level of quantitative contribution to them.)

Relationship Between CLOs & PLOs

(KPLOs and SPLOs are the abbreviations for Key & Sub- Programme Learning Outcomes, respectively. )
CLOs/PLOs KPLO 1 KPLO 2 KPLO 3 KPLO 4 KPLO 5
1 2 3 4 5 1 2 3 1 2 3 4 1 2 3 4 1 2 3 4 5 6 7 8 9 10 11 12
CLO1
CLO2
CLO3
CLO4
CLO5
CLO6
CLO7
CLO8
CLO9

Level of Contribution of the Course to PLOs

No Effect 1 Lowest 2 Low 3 Average 4 High 5 Highest
           
Programme Learning Outcomes Contribution Level (from 1 to 5)
1) He/She comprehends communication in all aspects.
2) He/She follows the developments in our country and the world.
3) To apply the theoretical and conceptual information for the field of Public Relations and Advertising.
4) Applies the theoretical knowledge in business life during a semester.
5) S/he acquires the competencies that develop by the expectations of business world and the society defined as the institutional outcomes of our university on the advanced level in relation with his/her field.

SECTION IV: TEACHING-LEARNING & ASSESMENT-EVALUATION METHODS OF THE COURSE

Teaching & Learning Methods of the Course

(All teaching and learning methods used at the university are managed systematically. Upon proposals of the programme units, they are assessed by the relevant academic boards and, if found appropriate, they are included among the university list. Programmes, then, choose the appropriate methods in line with their programme design from this list. Likewise, appropriate methods to be used for the course units can be chosen among those defined for the programme.)
Teaching and Learning Methods defined at the Programme Level
Teaching and Learning Methods Defined for the Course
Lectures
Discussion
Case Study
Problem Solving
Demonstration
Views
Laboratory
Reading
Homework
Project Preparation
Thesis Preparation
Peer Education
Seminar
Technical Visit
Course Conference
Brain Storming
Questions Answers
Individual and Group Work
Role Playing-Animation-Improvisation
Active Participation in Class

Assessment & Evaluation Methods of the Course

(All assessment and evaluation methods used at the university are managed systematically. Upon proposals of the programme units, they are assessed by the relevant academic boards and, if found appropriate, they are included among the university list. Programmes, then, choose the appropriate methods in line with their programme design from this list. Likewise, appropriate methods to be used for the course units can be chosen among those defined for the programme.)
Aassessment and evaluation Methods defined at the Programme Level
Assessment and Evaluation Methods defined for the Course
Midterm
Presentation
Final Exam
Quiz
Report Evaluation
Homework Evaluation
Oral Exam
Thesis Defense
Jury Evaluation
Practice Exam
Evaluation of Implementation Training in the Workplace
Active Participation in Class
Participation in Discussions

Relationship Between CLOs & Teaching-Learning, Assesment-Evaluation Methods of the Course

(The matrix below shows the teaching-learning and assessment-evaluation methods designated for the course unit in relation to the course learning outcomes.)
LEARNING & TEACHING METHODS
COURSE LEARNING OUTCOMES
ASSESMENT & EVALUATION METHODS
CLO1 CLO2 CLO3 CLO4 CLO5 CLO6 CLO7 CLO8 CLO9
-Lectures -Midterm
-Discussion -Presentation
-Case Study -Final Exam
-Problem Solving -Quiz
-Demonstration -Report Evaluation
-Views -Homework Evaluation
-Laboratory -Oral Exam
-Reading -Thesis Defense
-Homework -Jury Evaluation
-Project Preparation -Practice Exam
-Thesis Preparation -Evaluation of Implementation Training in the Workplace
-Peer Education -Active Participation in Class
-Seminar - Participation in Discussions
-Technical Visit
-Course Conference
-Brain Storming
-Questions Answers
-Individual and Group Work
-Role Playing-Animation-Improvisation
-Active Participation in Class

Contribution of Assesment & Evalution Activities to Final Grade of the Course

Measurement and Evaluation Methods # of practice per semester Level of Contribution
Quizzes 3 % 20.00
Midterms 1 % 30.00
Semester Final Exam 1 % 50.00
Total % 100
PERCENTAGE OF SEMESTER WORK % 50
PERCENTAGE OF FINAL WORK % 50
Total % 100

SECTION V: WORKLOAD & ECTS CREDITS ALLOCATED FOR THE COURSE

WORKLOAD OF TEACHING & LEARNING ACTIVITIES
Teaching & Learning Activities # of Activities per semester Duration (hour) Total Workload
Course 14 2 28
Laboratory 0 0 0
Application 0 0 0
Special Course Internship (Work Placement) 0 0 0
Field Work 0 0 0
Study Hours Out of Class 14 4 56
Presentations / Seminar 0 0 0
Project 0 0 0
Homework Assignments 0 0 0
Total Workload of Teaching & Learning Activities - - 84
WORKLOAD OF ASSESMENT & EVALUATION ACTIVITIES
Assesment & Evaluation Activities # of Activities per semester Duration (hour) Total Workload
Quizzes 3 1 3
Midterms 1 2 2
Semester Final Exam 1 2 2
Total Workload of Assesment & Evaluation Activities - - 7
TOTAL WORKLOAD (Teaching & Learning + Assesment & Evaluation Activities) 91
ECTS CREDITS OF THE COURSE (Total Workload/25.5 h) 3