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SECTION I: GENERAL INFORMATION ABOUT THE COURSE

Course Code Course Name Year Semester Theoretical Practical Credit ECTS
60211METOZ-RTS0283 Editing Techniques and Design 2 Fall 2 2 3 4
Course Type : Compulsory
Cycle: Bachelor      TQF-HE:6. Master`s Degree      QF-EHEA:First Cycle      EQF-LLL:6. Master`s Degree
Language of Instruction: Turkish
Prerequisities and Co-requisities: N/A
Mode of Delivery: E-Learning
Name of Coordinator: Dr. Öğr. Üyesi EMRE AHMET SEÇMEN
Dersin Öğretim Eleman(lar)ı: Dr. Öğr. Üyesi EMRE AHMET SEÇMEN
Dersin Kategorisi: Programme Specific

SECTION II: INTRODUCTION TO THE COURSE

Course Objectives & Content

Course Objectives: A student who successfully completes this course will be able to explain theoretically the process of fiction from its emergence to the present day. Starting from script writing, it will be able to prepare a draft about the emergence stages of a product combined on the fiction table; will be able to develop editing systematics in any editing mechanism.
Course Content: Defining the concepts of fiction and editing, narrative forms from a written product to a visual product, the use of fiction in cinema and its first examples, the emergence and rules of continuity fiction, innovations brought by Soviet montage theory to fiction, horizontal & vertical fiction concepts that emerged with the historical and technical development of fiction, post production, the definition of the evolving workflow process, basic editing and image transition methods, dialogue montage, montage of narrative non-classical, world and in Turkey constructed taken by the major editors and students evaluation of the final project are the contents of the course.

Course Learning Outcomes (CLOs)

Course Learning Outcomes (CLOs) are those describing the knowledge, skills and competencies that students are expected to achieve upon successful completion of the course. In this context, Course Learning Outcomes defined for this course unit are as follows:
Knowledge (Described as Theoritical and/or Factual Knowledge.)
  1) Defines the theories of editing.
  2) Explain the difference between horizontal and vertical setup.
  3) Defines the basic editing techniques.
  4) Explain the differences of classical and non-classical narrative fiction.
Skills (Describe as Cognitive and/or Practical Skills.)
  1) Configures editing techniques.
  2) It can combine the dialogue setting.
  3) Fiction predicts where and when to use transition methods.
Competences (Described as "Ability of the learner to apply knowledge and skills autonomously with responsibility", "Learning to learn"," Communication and social" and "Field specific" competences.)
  1) Summarize the basics of editing processes in cinema and television and designs them before implementation.
  2) Discusses the historical and theoretical aspects of fiction in the context of film criticism.
  3) It checks the theory and processes of fiction.
  4) Creates and designs effects (transitions).

Weekly Course Schedule

Week Subject
Materials Sharing *
Related Preparation Further Study
1) Introduction, Meeting & Transfer of Course Resources and Contents, Definitions of Editing and Editing Concepts
2) Film Editing and First Examples
3) Continuity Editing Techniques and Principles (Plan, Stage and Sequence Formation)
4) Soviet Assembly Theory and the Importance of Fiction
5) The Concept of Fiction and Scenario Structures (Classical and Non-Classical Narrative Forms)
6) Historical and Technical Development of Fiction
7) Horizontal and Vertical Editing Concepts & Workflow from Editing to Post Production Process
8) Mid-Term Exam Week
9) Basic Editing Techniques
10) Basic Editing Transition Methods
11) Dialogue Editing & Continuity & One and Multiple Cameras
12) Non-Classical Cinema Narrative and Fiction
13) Filmography and editors in the world and Turkey
14) Evaluation and Interpretation of Final Projects
*These fields provides students with course materials for their pre- and further study before and after the course delivered.

Recommended or Required Reading & Other Learning Resources/Tools

Course Notes / Textbooks: ● Sinemada Kurgu – İlkay Nişancı – Doruk Yayınları
● Film Kurgusu – Cem Yıldırım – Urzeni Yayınları
References: Önerilen kaynaklar:
(Aşağıdaki liste genel anlamda yardımcı kaynaklardır)

● Sinema Kuramları 1&2 – Ed. Zeynep Özarslan – Su Yayınları
● Sinemanın Temel Kavramları – Susan Hayward – Es Yayınları
● Dijital Video ile Sinema – İlker Canikligil – Alfa Yayınları
● Film Sanatı – David Bordwell & Kristin Thompson – DeKi Yayınları
● Sine-Göz – Dziga Vertov – Agora Yayınları
● Film Duyumu – Sergei Eisenstein – Payel Yayınları
● Sinema Teorisine Giriş – Robert Stam – Ayrıntı Yayınları
● Göz Kırparken – Walter Murch – Bilgi Üniversitesi Yayınları
● Sinemada Yönetmenlik & Oyunculuk & Kurgu – Edward Dmytryk – Doruk Yayınları
● Sinemada Diyalektik Kurgu – Cengis Asiltürk – Kalkedon Yayınları

Web Kaynakları:

● Sinematek
http://www.sinematek.org/sinebilgi/sinebilgi-kurgu/79-knedir.html

● Google Scholar (akademik)
Konu başlığı yazılarak ilgili tez, makale, kitap pdf vs. ulaşılabilir

● www.imdb.com
Internet Movie Database

● https://sinekutuphane.wordpress.com/pdf-arsivi/
Sinema Kütüphanesi – Kitap PDF dosyalarına erişim sağlanabilir.

● https://filmkafa.wordpress.com/pdf-kafasi/
Kitap PDF dosyalarına erişim sağlanabilir.

● YÖK tez arşivi (tez.yok.gov.tr)
Tez No: 600071 – Nuri Bilge Ceylan Filmlerinde Kurgu – FİKRİ KEKİLLİ
Tez No: 446276 – Türk Televizyon Kanallarında Kullanılan Kurgu Yazılımları ve Kullanım Tercihleri – ALİ AŞIR
Tez No: 240609 – Sinemada Kurgu ve Görüntü Estetiği – KADİR MACİT
Tez No: 290825 – Anlam Yaratma Aracı Olarak Kurgu – RAHİME AKİKOL
Tez No: 517154 – Bir Anlatım Dili Olarak Reha Erdem Sinemasında Kurgu İle İma Etme – MUSTAFA KOÇOĞLU
Tez No: 270117 – Teknolojik Değişimlerin Türk Sinemasında Kurgu Tekniklerine Etkisi – YELDA ÖZKOÇAK

SECTION III: RELATIONSHIP BETWEEN COURSE UNIT AND COURSE LEARNING OUTCOMES (CLOs)

(The matrix below shows how the course learning outcomes (CLOs) associates with programme learning outcomes (both KPLOs & SPLOs) and, if exist, the level of quantitative contribution to them.)

Relationship Between CLOs & PLOs

(KPLOs and SPLOs are the abbreviations for Key & Sub- Programme Learning Outcomes, respectively. )
CLOs/PLOs KPLO 1 KPLO 2 KPLO 3 KPLO 4 KPLO 5
1 2 3 4 1 2 3 4 1 2 1 2 3 4 1 2 3 4 5 6 7 8 9 10 11 12
CLO1
CLO2
CLO3
CLO4
CLO5
CLO6
CLO7
CLO8
CLO9
CLO10
CLO11

Level of Contribution of the Course to PLOs

No Effect 1 Lowest 2 Low 3 Average 4 High 5 Highest
           
Programme Learning Outcomes Contribution Level (from 1 to 5)
1) Evaluates interdisciplinary historical and theoretical knowledge in the field of radio, television and film. 1
2) Will synthesize her technical and artistic skills in Radio, Television and Film production process. 3
3) Plans, coordinates and controls media production processes using related theoretical background and methods.
4) Applies the theoretical knowledge in business life during a semester.
5) S/he acquires the competencies that develop by the expectations of business world and the society defined as the institutional outcomes of our university on the advanced level in relation with his/her field.

SECTION IV: TEACHING-LEARNING & ASSESMENT-EVALUATION METHODS OF THE COURSE

Teaching & Learning Methods of the Course

(All teaching and learning methods used at the university are managed systematically. Upon proposals of the programme units, they are assessed by the relevant academic boards and, if found appropriate, they are included among the university list. Programmes, then, choose the appropriate methods in line with their programme design from this list. Likewise, appropriate methods to be used for the course units can be chosen among those defined for the programme.)
Teaching and Learning Methods defined at the Programme Level
Teaching and Learning Methods Defined for the Course
Lectures
Discussion
Case Study
Problem Solving
Demonstration
Views
Laboratory
Reading
Homework
Project Preparation
Thesis Preparation
Peer Education
Seminar
Technical Visit
Course Conference
Brain Storming
Questions Answers
Individual and Group Work
Role Playing-Animation-Improvisation
Active Participation in Class

Assessment & Evaluation Methods of the Course

(All assessment and evaluation methods used at the university are managed systematically. Upon proposals of the programme units, they are assessed by the relevant academic boards and, if found appropriate, they are included among the university list. Programmes, then, choose the appropriate methods in line with their programme design from this list. Likewise, appropriate methods to be used for the course units can be chosen among those defined for the programme.)
Aassessment and evaluation Methods defined at the Programme Level
Assessment and Evaluation Methods defined for the Course
Midterm
Presentation
Final Exam
Quiz
Report Evaluation
Homework Evaluation
Oral Exam
Thesis Defense
Jury Evaluation
Practice Exam
Evaluation of Implementation Training in the Workplace
Active Participation in Class
Participation in Discussions

Relationship Between CLOs & Teaching-Learning, Assesment-Evaluation Methods of the Course

(The matrix below shows the teaching-learning and assessment-evaluation methods designated for the course unit in relation to the course learning outcomes.)
LEARNING & TEACHING METHODS
COURSE LEARNING OUTCOMES
ASSESMENT & EVALUATION METHODS
CLO1 CLO2 CLO3 CLO4 CLO5 CLO6 CLO7 CLO8 CLO9 CLO10 CLO11
-Lectures -Midterm
-Discussion -Presentation
-Case Study -Final Exam
-Problem Solving -Quiz
-Demonstration -Report Evaluation
-Views -Homework Evaluation
-Laboratory -Oral Exam
-Reading -Thesis Defense
-Homework -Jury Evaluation
-Project Preparation -Practice Exam
-Thesis Preparation -Evaluation of Implementation Training in the Workplace
-Peer Education -Active Participation in Class
-Seminar - Participation in Discussions
-Technical Visit
-Course Conference
-Brain Storming
-Questions Answers
-Individual and Group Work
-Role Playing-Animation-Improvisation
-Active Participation in Class

Contribution of Assesment & Evalution Activities to Final Grade of the Course

Measurement and Evaluation Methods # of practice per semester Level of Contribution
Quizzes 1 % 10.00
Homework Assignments 1 % 10.00
Midterms 1 % 30.00
Semester Final Exam 1 % 50.00
Total % 100
PERCENTAGE OF SEMESTER WORK % 50
PERCENTAGE OF FINAL WORK % 50
Total % 100

SECTION V: WORKLOAD & ECTS CREDITS ALLOCATED FOR THE COURSE

WORKLOAD OF TEACHING & LEARNING ACTIVITIES
Teaching & Learning Activities # of Activities per semester Duration (hour) Total Workload
Course 14 4 56
Laboratory 0 0 0
Application 0 0 0
Special Course Internship (Work Placement) 0 0 0
Field Work 0 0 0
Study Hours Out of Class 0 0 0
Presentations / Seminar 0 0 0
Project 1 9 9
Homework Assignments 1 4 4
Total Workload of Teaching & Learning Activities - - 69
WORKLOAD OF ASSESMENT & EVALUATION ACTIVITIES
Assesment & Evaluation Activities # of Activities per semester Duration (hour) Total Workload
Quizzes 2 2 4
Midterms 1 4 4
Semester Final Exam 1 4 4
Total Workload of Assesment & Evaluation Activities - - 12
TOTAL WORKLOAD (Teaching & Learning + Assesment & Evaluation Activities) 81
ECTS CREDITS OF THE COURSE (Total Workload/25.5 h) 4