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SECTION I: GENERAL INFORMATION ABOUT THE COURSE

Course Code Course Name Year Semester Theoretical Practical Credit ECTS
60211TATOZ-ILT0323 Photography Workshop 2 Fall 1 2 2 5
Course Type : Compulsory
Cycle: Bachelor      TQF-HE:6. Master`s Degree      QF-EHEA:First Cycle      EQF-LLL:6. Master`s Degree
Language of Instruction: Turkish
Prerequisities and Co-requisities: N/A
Mode of Delivery: E-Learning
Name of Coordinator: Doçent Dr. ÇEYİZ MAKAL FAİRCLOUGH
Dersin Öğretim Eleman(lar)ı: Dr. Öğr. Üyesi EMRE AHMET SEÇMEN
Doçent Dr. ÇEYİZ MAKAL FAİRCLOUGH
Dersin Kategorisi: Field Specific

SECTION II: INTRODUCTION TO THE COURSE

Course Objectives & Content

Course Objectives: Students who successfully complete this course can interpret the photographic tool as an artistic expression; will be able to develop designs by determining a new perspective and way of seeing, designing it with the narrative power of photography, and making fictional and experimental applications on the axis of the determined subject / subjects.
Course Content: Definition of photography as a contemporary art, visual perception and ways of seeing, framing and composition, reality and formality, reading photography based on depth of field, use of basic forms of light, philosophy of experimental and fictional photography, semiotics and photography, relation between postmodernism and photography, technology and The effects of digitalization on photography The student's production and presentation of a project / projects based on the given / selected subject constitutes the content of the course.

Course Learning Outcomes (CLOs)

Course Learning Outcomes (CLOs) are those describing the knowledge, skills and competencies that students are expected to achieve upon successful completion of the course. In this context, Course Learning Outcomes defined for this course unit are as follows:
Knowledge (Described as Theoritical and/or Factual Knowledge.)
  1) Defines contemporary art and photography movements.
  2) Explains the meaning and narration in photography.
  3) Defines the ways of seeing and visual perception.
  4) Defines the realistic and formal elements in photography.
  5) Examples of experimental and fictional photography.
Skills (Describe as Cognitive and/or Practical Skills.)
  1) The student evaluates the photograph as artistic.
  2) Designs photography projects on a subject axis.
  3) He / she interprets different shooting techniques with her own narrative.
Competences (Described as "Ability of the learner to apply knowledge and skills autonomously with responsibility", "Learning to learn"," Communication and social" and "Field specific" competences.)
  1) He / she applies universal ethical values in her projects.
  2) It creates a personal narrative style and designs its own independent projects.
  3) Manages his / her time within the framework of project responsibilities.

Weekly Course Schedule

Week Subject
Materials Sharing *
Related Preparation Further Study
1) Introduction, Meeting & Transfer of Course Resources and Contents, Introduction to Photography History
2) Movements in Contemporary Art and Photography
3) Photography, Meaning and Narration
4) Seeing Styles and Visual Perception
5) Composition and Framing in Photography
6) Reality and Formal Elements in Photography
7) Depth of Field and Photographic Technique Readings
8) Midterm Exam Week
9) Mobile Photo Applications
10) Experimental and Fiction Photography
11) Semiotics and Photo Reading (Saussure & Barthes)
12) Postmodernism and Photography
13) Technology, Digitalization and Photography Art
14) Project Presentations and Evaluation
*These fields provides students with course materials for their pre- and further study before and after the course delivered.

Recommended or Required Reading & Other Learning Resources/Tools

Course Notes / Textbooks: ● Yaratıcı Fotoğrafçılıkta Bağlam ve Anlatı – Maria Short – Literatür Yayınları
References: ● Camera Lucida – Roland Barthes – 6,45 Yayınları
● Fotoğraf Üzerine – Susan Sontag – Agora Yayınları
● A’dan Z’ye Fotoğraf – Özer Kanburoğlu – Say Yayınları
● Fotoğrafçılar İçin Eleştirel Kuram – Ashley La Grange – Plato MYO Yayınları
● Fotoğrafta Pratik Kompozisyon – Faruk Akbaş – Say Yayınları
● Fotoğrafta Kompozisyon – David Prakel – Homer Kitabevi
● Fotoğrafta Işık – David Prakel – Homer Kitabevi
● Fotoğrafın Büyüsü: Işık – Özer Kanburoğlu – Say Yayınları
● Görme Biçimleri – John Berger – Metis Yayınları
● Fotoğrafta Anlam ve Anlamlandırma – Çerkes Karadağ – Öteki Yayınları
● Bir Fotoğrafı Anlamak – John Berger – Metis Yayınları
● Fotoğraf Tarihine Giriş – Alberto Modiano – Art Studio Yayıncılık
● 20. Yüzyıl Batı Sanatında Akımlar – Ahu Antmen – Sel Yayıncılık

● Fotoğraf Dergisi
https://www.fotografdergisi.com/

● İFSAK
http://www.ifsak.org.tr/

● fotografium.com (Ekipman Alım ve Bilgi Sitesi)
Youtube Kanalı: https://www.youtube.com/user/fotografium

● Google Scholar
Fotoğraf ve Çağdaş Sanat, Anlatı gibi arama terimleriyle makale ve yazılara erişim sağlanabilir.

● YÖK tez arşivi (tez.yok.gov.tr)
Tez No: 345757 – Çağdaş Fotoğraf Sanatında Anlatımcı Yaklaşım – TUNA UYSAL
Tez No: 425531 – XXI. Yüzyıl Çağdaş Fotoğrafta Yaratım Sürecine Bakış – MURAT HAN ER
Tez No: 293297 – Postmodernizm ve Fotoğraf İlişkisi – NÜKHET KINLI
Tez No: 577751 – Çağdaş Sanatta Metaforik Nesneler – HATİCE VERMEZ
Tez No: 190627 – Fotoğraf Okuma ve Eleştiri – MEHTAP US TERZİ
Tez No: 624714 – Fotoğraf Sanatında Soyutlamalar – İMRAN UZUN
Tez No: 574906 – Avangard Fotoğraf Teknikleri ve Çağdaş Sanata Etkileri – ARZU ÇETİN
Tez No: 582151 – Çağdaş Fotoğraf Sanatında Metafor Olarak Beden – YASEMİN ÇINAR
Tez No: 607515 – Fotoğraf Sanatında Perspektifin Görsel Algıya Etkileri Üzerine Bir İnceleme – VOLKAN ATAR
Tez No: 51392 – Resimde Görsel Algılama – HATİCE NEVİN GÜVEN
Tez No: 563070 – Görsel Algının Sanatsal Yaratıcılık ve Tasarım Duyarlılığı İle İlişkisinin İncelenmesi – BÜRDE YEĞNİDEMİR

SECTION III: RELATIONSHIP BETWEEN COURSE UNIT AND COURSE LEARNING OUTCOMES (CLOs)

(The matrix below shows how the course learning outcomes (CLOs) associates with programme learning outcomes (both KPLOs & SPLOs) and, if exist, the level of quantitative contribution to them.)

Relationship Between CLOs & PLOs

(KPLOs and SPLOs are the abbreviations for Key & Sub- Programme Learning Outcomes, respectively. )
CLOs/PLOs KPLO 1 KPLO 2 KPLO 3 KPLO 4 KPLO 5
1 2 3 4 5 1 2 3 4 5 6 7 8 9 10 11 1 2 3 4 1 2 3 4 5 6 7 8 10 11 12 13 14 1 2 3 4 5 6 7 8 9 10 11 12
CLO1
CLO2
CLO3
CLO4
CLO5
CLO6
CLO7
CLO8
CLO9
CLO10
CLO11

Level of Contribution of the Course to PLOs

No Effect 1 Lowest 2 Low 3 Average 4 High 5 Highest
           
Programme Learning Outcomes Contribution Level (from 1 to 5)
1) Can use theoretical and applied information on communication design, communication sciences and other social sciences related to communication design collectively and incordinately.
2) Conduct, develop and manage visual and content studies in traditional and new media environments.
3) Apply the theoretical knowledge that is learned in business life for a semester.
4) The competencies that are developed in line with the expectations of the business world and society and which are defined as the institutional outputs of our university are at the basic level.
5) Gain the competencies defined as the institutional outcomes of our university which are developed in line with the expectations of business and society

SECTION IV: TEACHING-LEARNING & ASSESMENT-EVALUATION METHODS OF THE COURSE

Teaching & Learning Methods of the Course

(All teaching and learning methods used at the university are managed systematically. Upon proposals of the programme units, they are assessed by the relevant academic boards and, if found appropriate, they are included among the university list. Programmes, then, choose the appropriate methods in line with their programme design from this list. Likewise, appropriate methods to be used for the course units can be chosen among those defined for the programme.)
Teaching and Learning Methods defined at the Programme Level
Teaching and Learning Methods Defined for the Course
Lectures
Discussion
Case Study
Problem Solving
Demonstration
Views
Laboratory
Reading
Homework
Project Preparation
Thesis Preparation
Peer Education
Seminar
Technical Visit
Course Conference
Brain Storming
Questions Answers
Individual and Group Work
Role Playing-Animation-Improvisation
Active Participation in Class

Assessment & Evaluation Methods of the Course

(All assessment and evaluation methods used at the university are managed systematically. Upon proposals of the programme units, they are assessed by the relevant academic boards and, if found appropriate, they are included among the university list. Programmes, then, choose the appropriate methods in line with their programme design from this list. Likewise, appropriate methods to be used for the course units can be chosen among those defined for the programme.)
Aassessment and evaluation Methods defined at the Programme Level
Assessment and Evaluation Methods defined for the Course
Midterm
Presentation
Final Exam
Quiz
Report Evaluation
Homework Evaluation
Oral Exam
Thesis Defense
Jury Evaluation
Practice Exam
Evaluation of Implementation Training in the Workplace
Active Participation in Class
Participation in Discussions

Relationship Between CLOs & Teaching-Learning, Assesment-Evaluation Methods of the Course

(The matrix below shows the teaching-learning and assessment-evaluation methods designated for the course unit in relation to the course learning outcomes.)
LEARNING & TEACHING METHODS
COURSE LEARNING OUTCOMES
ASSESMENT & EVALUATION METHODS
CLO1 CLO2 CLO3 CLO4 CLO5 CLO6 CLO7 CLO8 CLO9 CLO10 CLO11
-Lectures -Midterm
-Discussion -Presentation
-Case Study -Final Exam
-Problem Solving -Quiz
-Demonstration -Report Evaluation
-Views -Homework Evaluation
-Laboratory -Oral Exam
-Reading -Thesis Defense
-Homework -Jury Evaluation
-Project Preparation -Practice Exam
-Thesis Preparation -Evaluation of Implementation Training in the Workplace
-Peer Education -Active Participation in Class
-Seminar - Participation in Discussions
-Technical Visit
-Course Conference
-Brain Storming
-Questions Answers
-Individual and Group Work
-Role Playing-Animation-Improvisation
-Active Participation in Class

Contribution of Assesment & Evalution Activities to Final Grade of the Course

Measurement and Evaluation Methods # of practice per semester Level of Contribution
Quizzes 2 % 20.00
Midterms 1 % 30.00
Semester Final Exam 1 % 50.00
Total % 100
PERCENTAGE OF SEMESTER WORK % 50
PERCENTAGE OF FINAL WORK % 50
Total % 100

SECTION V: WORKLOAD & ECTS CREDITS ALLOCATED FOR THE COURSE

WORKLOAD OF TEACHING & LEARNING ACTIVITIES
Teaching & Learning Activities # of Activities per semester Duration (hour) Total Workload
Course 14 3 42
Laboratory 0 0 0
Application 0 0 0
Special Course Internship (Work Placement) 0 0 0
Field Work 0 0 0
Study Hours Out of Class 0 0 0
Presentations / Seminar 0 0 0
Project 1 12 12
Homework Assignments 1 4 4
Total Workload of Teaching & Learning Activities - - 58
WORKLOAD OF ASSESMENT & EVALUATION ACTIVITIES
Assesment & Evaluation Activities # of Activities per semester Duration (hour) Total Workload
Quizzes 2 3 6
Midterms 1 3 3
Semester Final Exam 1 3 3
Total Workload of Assesment & Evaluation Activities - - 12
TOTAL WORKLOAD (Teaching & Learning + Assesment & Evaluation Activities) 70
ECTS CREDITS OF THE COURSE (Total Workload/25.5 h) 5