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SECTION I: GENERAL INFORMATION ABOUT THE COURSE

Course Code Course Name Year Semester Theoretical Practical Credit ECTS
60211METOZ-RTS0395 Digital Cinema and Television 3 Fall 1 2 2 4
Course Type : Compulsory
Cycle: Bachelor      TQF-HE:6. Master`s Degree      QF-EHEA:First Cycle      EQF-LLL:6. Master`s Degree
Language of Instruction: Turkish
Prerequisities and Co-requisities: N/A
Mode of Delivery: Face to face
Name of Coordinator: Dr. Öğr. Üyesi EMRE AHMET SEÇMEN
Dersin Öğretim Eleman(lar)ı: Dr. Öğr. Üyesi EMRE AHMET SEÇMEN
Dersin Kategorisi: Programme Specific

SECTION II: INTRODUCTION TO THE COURSE

Course Objectives & Content

Course Objectives: A student who successfully completes this course will be able to write films, series, TV programs, etc., produced in line with the technical and technological developments in the field of cinema and television. will be able to read different samples. Will be able to make theoretical and practical evaluations by summarizing in which films and television products the new techniques and technologies emerging with digitalization are used.
Course Content: Evolution of Camera Technologies from Analog to Digital, Evolution of Editing Technologies with Computer, Productions Featured with Visual Designs Before the Digital Era, Special Effects (SFX) and Types, Visual Effects (VFX) and Types, A View of Visual Design Studios, Film Screening Technologies from Analog to Digital, Glass Screens Topics such as Television Technology for Digital Platforms, Comparison of Film Production Technologies, Discussion on Digital Cinema and Final Project Analysis and Presentations constitute the content of the course.

Course Learning Outcomes (CLOs)

Course Learning Outcomes (CLOs) are those describing the knowledge, skills and competencies that students are expected to achieve upon successful completion of the course. In this context, Course Learning Outcomes defined for this course unit are as follows:
Knowledge (Described as Theoritical and/or Factual Knowledge.)
  1) Explain the evolution of camera and editing technology from analog to digital.
  2) It exemplifies the productions of pre-digital and digital era.
  3) Interprets the differences between special and visual effects.
  4) Defines display technologies.
  5) Discusses filmmaking techniques and technologies on the axis of digitalization.
Skills (Describe as Cognitive and/or Practical Skills.)
  1) Classifies digitalized cinema through different examples.
  2) Diagrams the technical and technological differences between television and digital platforms.
Competences (Described as "Ability of the learner to apply knowledge and skills autonomously with responsibility", "Learning to learn"," Communication and social" and "Field specific" competences.)
  1) In case of encountering with production technologies, it makes the necessary selection among them and connects them.
  2) Performs a technical and technological reading of a production.

Weekly Course Schedule

Week Subject
Materials Sharing *
Related Preparation Further Study
1) Introduction, Introduction & Transfer of Course Resources and Contents, Evolution of Camera Technologies from Analog to Digital
2) Evolution of Editing Technologies with Computer
3) Featured Productions with Visual Designs Before the Digital Era
4) Special Effects (SFX) and Its Types
5) Analysis of Special Effects “Raiders of Lost Ark” and “Blade Runner” Examples
6) Visual Effects (VFX) and Types
7) Analysis of Visual Effects “Matrix” and “Avatar” Examples
8) Mid-Term Exam Week
9) Visual Design Studios Overview: ILM, Stan Winston Studio and Weta Digital
10) Analogue to Digital Film Display Technologies
11) Television Technology from Glass Screens to Digital Platforms
12) Comparison of Filmmaking Technologies: “Star Wars: Empire of Dreams” and “The Making of Hobbit Trilogy”
13) Discussion on Digital Cinema in the Context of “Side By Side” Documentary
14) Final Project Analysis and Presentations
*These fields provides students with course materials for their pre- and further study before and after the course delivered.

Recommended or Required Reading & Other Learning Resources/Tools

Course Notes / Textbooks: ● Dijitalin Sineması – Emre Ahmet Seçmen – Doruk Yayınları
● Dijital Sinema – Ed. Rıdvan Şentürk – İnsanArt Yayınları
● Dijital Çağda Televizyon ve Medya – Ed. Ceyhan Kandemir – Der Yayınları
● Film Sanatı – David Bordwell & Kristin Thompson – DeKi Yayınları

● Sinematografi: Kuram ve Uygulama – Blain Brown – Hil Yayınları
● Neo-Sinema: Tekniğe ve Teknolojiye Dair Okumalar – Ed. Emre Ahmet Seçmen – Doruk Yayıncılık
● Ölmeden Önce Görmeniz Gereken 1001 Film – Steven Jay Schneider – Caretta Yayıncılık
● Dünya Sinema Tarihi – Giovanni Scognamillo – Kabalcı Yayınları
● HD Sinematografi – Sema Fener – Bebek Tanıtım Yayıncılık
● Dijital Video ile Sinema – İlker Canikligil – Alfa Yayınları
● Türk Sinemasında Dijital Dönüşüm – Ferhat Zengin – Kalkedon Yayınları
● Sinema ve Televizyonda Özel Efekt – Yusuf Yurdigül & Ethem Zinderen – Doğu Kitabevi
● Sinema Dili – Ed. Selahattin Yıldız – Su Yayınları
● Hobbit Üçlemesi ve Dijital Kurgu Süreci – Barış Tolga Ekinci https://docviewer.yandex.com.tr/view/0/?page=2&*=W7Hd%2Fo4HVHF5SRjLmvdcKkqtHWZ7InVybCI6InlhLWRpc2stcHVibGljOi8vZzQzM3JXRkRIUmRzSjF3dUJPbW9VQjNvdTNuMERoTFVFRnllMGZYSlUxaz0iLCJ0aXRsZSI6IkJST0FEQ0FTVEVSSU5GT18xMjkucGRmIiwibm9pZnJhbWUiOmZhbHNlLCJ1aWQiOiIwIiwidHMiOjE2MzMzMzQ4NDQ4NzIsInl1IjoiNDM2MDA0MDQ5MTYzMjM3ODczNiJ9
References: ● Dijitalin Sineması – Emre Ahmet Seçmen – Doruk Yayınları
● Dijital Sinema – Ed. Rıdvan Şentürk – İnsanArt Yayınları
● Dijital Çağda Televizyon ve Medya – Ed. Ceyhan Kandemir – Der Yayınları
● Film Sanatı – David Bordwell & Kristin Thompson – DeKi Yayınları

● Sinematografi: Kuram ve Uygulama – Blain Brown – Hil Yayınları
● Neo-Sinema: Tekniğe ve Teknolojiye Dair Okumalar – Ed. Emre Ahmet Seçmen – Doruk Yayıncılık
● Ölmeden Önce Görmeniz Gereken 1001 Film – Steven Jay Schneider – Caretta Yayıncılık
● Dünya Sinema Tarihi – Giovanni Scognamillo – Kabalcı Yayınları
● HD Sinematografi – Sema Fener – Bebek Tanıtım Yayıncılık
● Dijital Video ile Sinema – İlker Canikligil – Alfa Yayınları
● Türk Sinemasında Dijital Dönüşüm – Ferhat Zengin – Kalkedon Yayınları
● Sinema ve Televizyonda Özel Efekt – Yusuf Yurdigül & Ethem Zinderen – Doğu Kitabevi
● Sinema Dili – Ed. Selahattin Yıldız – Su Yayınları
● Hobbit Üçlemesi ve Dijital Kurgu Süreci – Barış Tolga Ekinci https://docviewer.yandex.com.tr/view/0/?page=2&*=W7Hd%2Fo4HVHF5SRjLmvdcKkqtHWZ7InVybCI6InlhLWRpc2stcHVibGljOi8vZzQzM3JXRkRIUmRzSjF3dUJPbW9VQjNvdTNuMERoTFVFRnllMGZYSlUxaz0iLCJ0aXRsZSI6IkJST0FEQ0FTVEVSSU5GT18xMjkucGRmIiwibm9pZnJhbWUiOmZhbHNlLCJ1aWQiOiIwIiwidHMiOjE2MzMzMzQ4NDQ4NzIsInl1IjoiNDM2MDA0MDQ5MTYzMjM3ODczNiJ9

SECTION III: RELATIONSHIP BETWEEN COURSE UNIT AND COURSE LEARNING OUTCOMES (CLOs)

(The matrix below shows how the course learning outcomes (CLOs) associates with programme learning outcomes (both KPLOs & SPLOs) and, if exist, the level of quantitative contribution to them.)

Relationship Between CLOs & PLOs

(KPLOs and SPLOs are the abbreviations for Key & Sub- Programme Learning Outcomes, respectively. )
CLOs/PLOs KPLO 1 KPLO 2 KPLO 3 KPLO 4 KPLO 5
1 2 3 4 1 2 3 4 1 2 1 2 3 4 1 2 3 4 5 6 7 8 9 10 11 12
CLO1
CLO2
CLO3
CLO4
CLO5
CLO6
CLO7
CLO8
CLO9

Level of Contribution of the Course to PLOs

No Effect 1 Lowest 2 Low 3 Average 4 High 5 Highest
           
Programme Learning Outcomes Contribution Level (from 1 to 5)
1) Evaluates interdisciplinary historical and theoretical knowledge in the field of radio, television and film. 3
2) Will synthesize her technical and artistic skills in Radio, Television and Film production process. 2
3) Plans, coordinates and controls media production processes using related theoretical background and methods.
4) Applies the theoretical knowledge in business life during a semester. 1
5) S/he acquires the competencies that develop by the expectations of business world and the society defined as the institutional outcomes of our university on the advanced level in relation with his/her field.

SECTION IV: TEACHING-LEARNING & ASSESMENT-EVALUATION METHODS OF THE COURSE

Teaching & Learning Methods of the Course

(All teaching and learning methods used at the university are managed systematically. Upon proposals of the programme units, they are assessed by the relevant academic boards and, if found appropriate, they are included among the university list. Programmes, then, choose the appropriate methods in line with their programme design from this list. Likewise, appropriate methods to be used for the course units can be chosen among those defined for the programme.)
Teaching and Learning Methods defined at the Programme Level
Teaching and Learning Methods Defined for the Course
Lectures
Discussion
Case Study
Problem Solving
Demonstration
Views
Laboratory
Reading
Homework
Project Preparation
Thesis Preparation
Peer Education
Seminar
Technical Visit
Course Conference
Brain Storming
Questions Answers
Individual and Group Work
Role Playing-Animation-Improvisation
Active Participation in Class

Assessment & Evaluation Methods of the Course

(All assessment and evaluation methods used at the university are managed systematically. Upon proposals of the programme units, they are assessed by the relevant academic boards and, if found appropriate, they are included among the university list. Programmes, then, choose the appropriate methods in line with their programme design from this list. Likewise, appropriate methods to be used for the course units can be chosen among those defined for the programme.)
Aassessment and evaluation Methods defined at the Programme Level
Assessment and Evaluation Methods defined for the Course
Midterm
Presentation
Final Exam
Quiz
Report Evaluation
Homework Evaluation
Oral Exam
Thesis Defense
Jury Evaluation
Practice Exam
Evaluation of Implementation Training in the Workplace
Active Participation in Class
Participation in Discussions

Relationship Between CLOs & Teaching-Learning, Assesment-Evaluation Methods of the Course

(The matrix below shows the teaching-learning and assessment-evaluation methods designated for the course unit in relation to the course learning outcomes.)
LEARNING & TEACHING METHODS
COURSE LEARNING OUTCOMES
ASSESMENT & EVALUATION METHODS
CLO1 CLO2 CLO3 CLO4 CLO5 CLO6 CLO7 CLO8 CLO9
-Lectures -Midterm
-Discussion -Presentation
-Case Study -Final Exam
-Problem Solving -Quiz
-Demonstration -Report Evaluation
-Views -Homework Evaluation
-Laboratory -Oral Exam
-Reading -Thesis Defense
-Homework -Jury Evaluation
-Project Preparation -Practice Exam
-Thesis Preparation -Evaluation of Implementation Training in the Workplace
-Peer Education -Active Participation in Class
-Seminar - Participation in Discussions
-Technical Visit
-Course Conference
-Brain Storming
-Questions Answers
-Individual and Group Work
-Role Playing-Animation-Improvisation
-Active Participation in Class

Contribution of Assesment & Evalution Activities to Final Grade of the Course

Measurement and Evaluation Methods # of practice per semester Level of Contribution
Quizzes 1 % 10.00
Homework Assignments 1 % 10.00
Midterms 1 % 30.00
Semester Final Exam 1 % 50.00
Total % 100
PERCENTAGE OF SEMESTER WORK % 50
PERCENTAGE OF FINAL WORK % 50
Total % 100

SECTION V: WORKLOAD & ECTS CREDITS ALLOCATED FOR THE COURSE

WORKLOAD OF TEACHING & LEARNING ACTIVITIES
Teaching & Learning Activities # of Activities per semester Duration (hour) Total Workload
Course 14 3 42
Laboratory 0 0 0
Application 0 0 0
Special Course Internship (Work Placement) 0 0 0
Field Work 0 0 0
Study Hours Out of Class 2 6 12
Presentations / Seminar 1 3 3
Project 1 3 3
Homework Assignments 1 3 3
Total Workload of Teaching & Learning Activities - - 63
WORKLOAD OF ASSESMENT & EVALUATION ACTIVITIES
Assesment & Evaluation Activities # of Activities per semester Duration (hour) Total Workload
Quizzes 2 10 20
Midterms 1 3 3
Semester Final Exam 1 3 3
Total Workload of Assesment & Evaluation Activities - - 26
TOTAL WORKLOAD (Teaching & Learning + Assesment & Evaluation Activities) 89
ECTS CREDITS OF THE COURSE (Total Workload/25.5 h) 4